Oliviero Gatti after Guercino Allegory of Painting Book of the Principles of Drawing (frontispiece) 1619 engraving Harvard Art Museums |
In 1618 Antonio Mirandola – the young Guercino's patron – asked Oliviero Gatti to engrave certain of Guercino's drawing studies that had been created as models for his own pupils. Twenty-two plates were produced and in 1619 were published. The volume was dedicated to Ferdinando Gonzaga, Duke of Mantua.
Oliviero Gatti after Guercino Six Eyes Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Eyes, Mouths, Noses Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Noses and Mouths Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Six Ears Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Three Hands Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Two Hands Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Man's Leg and Bust of Child with Veil Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Man's Torso and Arms Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Study of the Body of a Man shooting an Arrow Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Torso of a Man Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Bust of Young Man in Profile Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Bust of Old Man, Boy and Young Woman Book of the Principles of Drawing 1619 engraving Harvard Art Museums |
Oliviero Gatti after Guercino Bust of Man with Mustache Book of the Principles of Drawing 1619 engraving Harvard Art Museums |