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| Guercino (Giovanni Francesco Barbieri) Ecce Homo 1647 oil on canvas Alte Pinakothek, Munich |
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| Guercino (Giovanni Francesco Barbieri) Ecce Homo 1647 drawing (compositional study) Morgan Library, New York |
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| Guercino (Giovanni Francesco Barbieri) Ecce Homo 1647 drawing (compositional study) Musée du Louvre |
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| Guercino (Giovanni Francesco Barbieri) Ecce Homo 1647 drawing (compositional study) Royal Library, Windsor |
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| Guercino (Giovanni Francesco Barbieri) Ecce Homo 1647 drawing (compositional study) private collection |
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| Jérôme David after Guercino Ecce Homo ca. 1650-60 engraving British Museum |
"[Guercino's Ecce Homo] is cited by [Carlo Cesare] Malvasia under 1647 as 'Ecce Homo, tre mezze figure', commissioned by the Marchese Giovanni Nicolò Tanari, who paid 180 ducats (225 scudi) for it on 26 November 1647. . . . It seems to have been inspired by Francesco Albani's painting of the same subject [workshop copy directly below] in the Galleria Colonna Rome, datable c. 1635, in which, however, Christ is flanked by angels. Guercino's painting was acquired during the reign of King Maximilian I of Bavaria (reg. 1806-25)."
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| workshop copyist after Francesco Albani Ecce Homo ca. 1635 oil on canvas private collection |
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| Guercino (Giovanni Francesco Barbieri) Christ and the Woman of Samaria 1647-48 oil on canvas Banco di San Geminiano e San Prospero, Modena |
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| Guercino (Giovanni Francesco Barbieri) Christ and the Woman of Samaria 1647-48 drawing (figure study - Christ) Rijksmuseum, Amsterdam |
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| Guercino (Giovanni Francesco Barbieri) Christ and the Woman of Samaria 1647-48 drawing (compositional study) Musée du Louvre |
"The composition [of Christ and the Woman of Samaria] is based on Guercino's earlier treatment of the subject in 1640. The figures are smaller in relation to the overall picture space. Christ seems less pedagogical in gesture and expression, and they seem on equal terms as they face each other across the well mouth."
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| Guglielmo Morghen after Guercino Angelica and Medoro (lost painting) ca. 1790-1810 engraving Harvard Art Museums |
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| Guercino (Giovanni Francesco Barbieri) Angelica and Medoro (study for lost painting) ca. 1647 (or 1642) drawing Musée du Louvre |
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| Guercino (Giovanni Francesco Barbieri) Angelica and Medoro (study for lost painting) ca. 1647 (or 1642) drawing private collection |
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| Guercino (Giovanni Francesco Barbieri) Angelica and Medoro (study for lost painting) ca. 1647 (or 1642) drawing Morgan Library, New York |
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| anonymous artist after Guercino Angelica and Medoro (lost painting) 17th century copy drawing Scottish National Gallery, Edinburgh |
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| Guercino St Peter 1648 oil on canvas private collection |
– quoted texts from The Paintings of Guercino: a revised and expanded catalogue raisonné by Nicholas Turner (Rome: Ugo Bozzi Editore, 2017)