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| Guercino (Giovanni Francesco Barbieri) St Joseph holding his Flowering Rod ca. 1635 oil on canvas Galleria Palatina, Palazzo Pitti, Florence |
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| Cesare and Benedetto Gennari after Guercino St Roch with the Virgin of the Plague (lost painting of 1635-36) copied in 1668 oil on canvas Pinacoteca Nazionale, Ferrara |
"By staying the hand of the avenging angel, the Virgin symbolically halts the outbreak of the plague. In the background, in the lower half of the picture, the towers of Ferrara can be seen, while in the foreground lie the corpses of the plague-stricken. . . . Guercino's altarpiece had already suffered severe damage before his death, and, according to the annotator of [Girolamo] Baruffaldi's Vite, on 8 August 1661 the artist was paid 52 scudi 2 lire for retouching it. Seven years later it was removed and replaced by a copy by his two nephews, Cesare and Benedetto Gennari. . . . Following another restoration in 1717, Guercino's original continued to deteriorate, and by 1872 all trace of it had been lost."
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| Guercino (Giovanni Francesco Barbieri) St Roch with the Virgin of the Plague (lost painting) 1635-36 drawing (figure studies - Putti) Morgan Library, New York |
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| Guercino (Giovanni Francesco Barbieri) St John the Evangelist as an Old Man 1636 oil on canvas Pinacoteca Egidio Martini, Ca' Rezzonico, Venice |
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| Guercino (Giovanni Francesco Barbieri) Virgin and Child with an Open Book 1636 oil on canvas Phoenix Art Museum, Arizona |
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| Guercino (Giovanni Francesco Barbieri) Offering of Abigail (painting destroyed in World War II) 1636 drawing (modello) private collection |
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| Charles Picart after Guercino Offering of Abigail ca. 1815 etching and engraving British Museum |
"[Carlo Cesare] Malvasia recorded this 'gran quadro' – destroyed during an air raid in 1941 – under the year 1636 and said it was painted for Cardinal Antonio Barberini. On 8 August, the Cardinal paid the equivalent of 508 scudi for it in reals. The picture is listed in the Cardinal's inventory of 1644 of paintings and sculpture in the Palazzo Barberini. . . . It was later given to Cardinal Mazarin, from whom it passed into the collection of the Duc d'Orléans and finally into the Bridgewater and Ellesmere collections [in London]. . . . The painting was so well received that the letterati of the day, such as Girolamo Porti (d. 1660), competed to write poems in its praise."
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| Guercino (Giovanni Francesco Barbieri) Offering of Abigail 1636 drawing (compositional study) Kupferstichkabinett, Berlin |
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| Guercino (Giovanni Francesco Barbieri) Offering of Abigail 1636 drawing (compositional study) private collection |
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| anonymous workshop copyist after Guercino Offering of Abigail (detail with David and followers) 1636 oil on canvas private collection |
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| Guercino (Giovanni Francesco Barbieri) Offering of Abigail 1636 drawing (head study - David) British Museum |
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| Guercino (Giovanni Francesco Barbieri) Offering of Abigail 1636 drawing (figure study - David) British Museum |
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| Guercino (Giovanni Francesco Barbieri) Offering of Abigail 1636 drawing (figure study - David) Ashmolean Museum, Oxford |
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| Guercino (Giovanni Francesco Barbieri) Offering of Abigail 1636 drawing (head study - Abigail) Teylers Museum, Haarlem |
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| Jean Massard after Guercino Offering of Abigail ca. 1786 etching and engraving British Museum |
– quoted texts from The Paintings of Guercino: a revised and expanded catalogue raisonné by Nicholas Turner (Rome: Ugo Bozzi Editore, 2017)