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| Lucas Kilian A Duchess of Tuscany (series of Archaic Figures) before 1637 engraving British Museum |
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| Alex Katz August, Late Afternoon 1973 oil on linen Hirshhorn Museum, Washington DC |
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| André Kertész Vert Galant, Paris 1963 gelatin silver print National Gallery of Art, Washington DC |
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| Samuel Palmer Hilly Landscape ca. 1824 drawing British Museum |
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| Lucas Kilian A Burgher (series of Archaic Figures) before 1637 engraving British Museum |
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| Alex Katz Walk 1970 oil on canvas Carnegie Museum of Art, Pittsburgh |
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| André Kertész Detail of Mounted Warriors on Etruscan Cauldron ca. 1950 gelatin silver print Metropolitan Museum of Art, New York |
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| Samuel Palmer Landscape Study ca. 1824 drawing British Museum |
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| Lucas Kilian A French King (series of Archaic Figures) before 1637 engraving British Museum |
-Laura-Dean-Dance-Co-1977-oil-on-canvas-Milwaukee-Art-Museum-Wisconsin.jpg) |
| Alex Katz Song, Laura Dean Dance Co. 1977 oil on canvas Milwaukee Art Museum, Wisconsin |
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| André Kertész Book and Shadow, New York 1974 gelatin silver print National Gallery of Art, Washington DC |
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| Samuel Palmer Sheet of Landscape Studies ca. 1824 drawing British Museum |
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| Lucas Kilian A King (series of Archaic Figures) before 1637 engraving British Museum |
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| Alex Katz Pink Sweater 1981 oil on panel Scottish National Gallery of Modern Art, Edinburgh |
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| André Kertész Last Supper, New York 1978 gelatin silver print National Gallery of Art, Washington DC |
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| Samuel Palmer Shepherds under a Full Moon ca. 1829-30 drawing Ashmolean Museum, Oxford |
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| Lucas Kilian A Nobleman (series of Archaic Figures) before 1637 engraving British Museum |
Time Real and Imaginary: an Allegory
On the wide level of a mountain's head
(I knew not where, but 'twas some faery place)
Their pinions, ostrich-like, for sails outspread,
Two lovely children run an endless race,
A sister and a brother!
This far outstripped the other;
Yet ever runs she with reverted face,
And looks and listens for the boy behind!
For he, alas! is blind!
O'er rough and smooth with even step he passed,
And knows not whether he be first or last.
– Samuel Taylor Coleridge (1817)