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| Louise Nevelson Royal Game I 1961 painted wood Buffalo AKG Art Museum, New York |
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| Gerhard Richter 7.4.89 1989 oil on paper Museum of Modern Art, New York |
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| Giorgio Morandi Still Life 1916 oil on canvas Museum of Modern Art, New York |
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| Gillis Neyts Seated Woman with Fan before 1687 ink and watercolor on paper British Museum |
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| Louise Nevelson That Silent Place 1954-55 painted wood Museum of Modern Art, New York |
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| Gerhard Richter Abstraktes Bild 780-1 1992 oil on canvas National Gallery of Art, Washington DC |
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| Giorgio Morandi Still Life 1938 oil on canvas Museum of Modern Art, New York |
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| Gillis Neyts Seated Woman with Veil before 1687 ink and watercolor on paper British Museum |
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| Louise Nevelson Untitled 1963 lithograph Museum of Modern Art, New York |
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| Gerhard Richter Abstraktes Bild 1984 oil on linen San Francisco Museum of Modern Art |
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| Giorgio Morandi Still Life 1949 oil on canvas Museum of Modern Art, New York |
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| Gillis Neyts Standing Woman before 1687 ink and watercolor on paper British Museum |
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| Louise Nevelson Big Black 1963 painted wood Museum of Modern Art, New York |
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| Gerhard Richter Abstraktes Bild 1984 oil on canvas Buffalo AKG Art Museum, New York |
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| Giorgio Morandi Still-Life 1952 oil on canvas San Francisco Museum of Modern Art |
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| Gillis Neyts Young Man with Hand on Hip before 1687 ink and watercolor on paper British Museum |
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| Louise Nevelson Sky Cathedral 1958 painted wood Museum of Modern Art, New York |
Eyes, unwashed jewels, the glass floor slipping, feel, know Day,
Life stripped to girders, monochrome. Deceit of instinct,
Features, figure, form irrelevant, dismissed
Ought passes through points fair plotted and you conform,
Seen yes or no, too just for weeping argument.
– W.H. Auden (1927)