Wednesday, June 10, 2026

Pillared

Marcantonio Raimondi after Andrea Mantegna
Allegorical Figure of Wrath
before 1527
engraving
Graphische Sammlung Albertina, Vienna

Heinrich Aldegrever
Allegorical Figure - Fortitudo
1528
engraving
Graphische Sammlung, ETH Zürich

Lorenzo Sacchetti
Stage Design
ca. 1822
drawing
Graphische Sammlung Albertina, Vienna

Claes Adelsköld
Interior of Swedish Mansion
ca. 1890
gelatin silver print
Moderna Museet, Stockholm

Antonio Chichi
Model of the Pantheon, Rome (interior)
ca. 1777-82
cork and wood
Museumslandschaft Hessen Kassel

Louis-Jean Desprez
Temple at Segesta
ca. 1775
watercolor on paper
Graphische Sammlung Albertina, Vienna

Arvid Pettersen
Hall of Fame
1983
oil on canvas
Moderna Museet, Stockholm

Giacomo Antonio Mannini
Hall with Solomonic Columns
ca. 1690
drawing
Städel Museum, Frankfurt

Antonio Joli
Stage Design for Palace of Flora, Teatro Grimani, Venice
1740
drawing
Kupferstichkabinett, Staatliche Kunstsammlungen, Dresden

Bernardo Bellotto
Roman Capriccio with the Colosseum
ca. 1740-50
oil on canvas
Galleria Nazionale di Parma

Marie-Gabriel Florent Auguste Choiseul-Gouffier
Temple of Olympian Zeus
before 1817
watercolor on paper
Graphische Sammlung Albertina, Vienna

Photochrom Zürich
Roman Forum
1889
photochrome
Graphische Sammlung, Zentralbibliothek Zürich

Mauro Antonio Tesi
Architectural Composition of Classical Elements
ca. 1750-60
drawing
Graphische Sammlung Albertina, Vienna

Claude-Joseph Vernet
Temple of Saturn in the Roman Forum
ca. 1750-55
drawing
Graphische Sammlung Albertina, Vienna

Henri Le Sidaner
Les Îles Borromées
1909
oil on canvas
Musée de la Cour d'Or de Metz

Christian Rohlfs
Pine Trunks in Sunlight
1903
oil on canvas
Kunsthalle zu Kiel

When the Athenians had heard him, they approved of his words and fetched into the city their wives and children and the furniture of their houses, pulling down the very timbers of the houses themselves.  Their sheep and oxen they sent over into Euboea and into the islands over against them. Nevertheless this removal, in respect they had most of them been accustomed to the country life, grieved them very much.

This custom was from great antiquity more familiar with the Athenians than any other of the rest of Greece.  For in the time of Cecrops and the first kings down to Theseus the inhabitants of Attica had their several boroughs and therein their common halls and their governors, and unless they were in fear of some danger, went not to the king for advice; but every city administered their own affairs and deliberated by themselves.  . . .  The Athenians therefore had lived a long time governed by laws of their own country towns and, after they were brought into one, were nevertheless (both for the custom which most had, as well of the ancient time as since till the Persian war, to live in the country with their whole families; and also especially for that since the Persian war they had already repaired their houses and furniture) unwilling to remove. It pressed them likewise and was heavily taken besides their houses to leave the things that pertained to their religion (which, since their old form of government, were become patrial) and to change their manner of life and to be no better than banished every man his city. 

– from The Peloponnesian War as written by Thucydides (5th century BC) and translated by Thomas Hobbes (1628) and edited by David Grene (1959)