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| Anonymous Austrian Artist Schwarzgelbe Redoute 1913 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Léon Bakst Anna Pavlova in the ballet Oriental Fantasy (not a Ballets Russes production) 1913 watercolor on paper Isabella Stewart Gardner Museum, Boston |
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| Lovis Corinth Kegelbahn 1913 oil on canvas Landesmuseum, Hannover |
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| Lovis Corinth Rider with Servant and Dog 1913 oil on canvas Landesmuseum, Hannover |
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| Robert Delaunay Formes Circulaires - Lune No. 1 1913 oil on canvas Lenbachhaus, Munich |
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| Sonia Delaunay Page from La Prose du Transsibérien by Blaise Cendrars 1913 letterpress with pochoir coloring Institut Valencià d'Art Modern |
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| Ernst Deutsch (called Dryden) Excentric Club 1913 lithograph (poster advertising silent film) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Hans Rudi Erdt Elegante Welt 1913 lithograph (poster advertising magazine) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Marsden Hartley Abstraction - Blue, Yellow and Green 1913 oil on canvas Los Angeles County Museum of Art |
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| Erich Heckel Women in Landscape 1913 oil on canvas Kunstmuseum, The Hague |
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| Robert Henri Herself 1913 oil on canvas Art Institute of Chicago |
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| Robert Henri Himself 1913 oil on canvas Art Institute of Chicago |
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| Ludwig Hohlwein Die Kornfranck-Tante 1913 lithograph (poster for coffee substitute) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Wassily Kandinsky Painting with White Form 1913 oil on canvas Kunstmuseum, The Hague |
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| Hermann Keimel F. und A. Piringer Kostümfabrik, München 1913 lithograph (poster) Kunstbibliothek, Staatliche Museen zu Berlin |
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| Max Klinger Salome 1913 marble Von der Heydt Museum, Wuppertal |
Posthumous Letter to Gilbert White
It's rather sad we can only meet people
whose dates overlap with ours, a real shame that
you and Thoreau (we know that he read you)
never shook hands. He was, we hear, a rabid
Anti-Clerical and quick-tempered, you the
quietest of curates, yet I think he might well have
found in you the Ideal Friend he wrote of
with such gusto, but never ran into.
Stationaries, both of you, but keen walkers,
chaste by nature and, it would seem, immune to
the beck of worldly power, kin spirits,
who found all creatures amusive, even
the tortoise in spite of its joyless stupors,
aspected the vagrant moods of the Weather,
from the modest conduct of fogs to
the coarse belch of thunder or the rainbow's
federal arch, what fun you'd have had surveying
two rival landscapes and their migrants, noting
the pitches owls hoot on, comparing
the echo-response of dactyls and spondees.
Selfishly, I, too, would have plumbed to know you:
I could have learned so much. I'm apt to fancy
myself as a lover of Nature,
but have no right to, really. How many
birds and plants can I spot? At most two dozen.
You might, though, have found such an ignoramus
a pesky bore. Time spared you that: I
have, though, thank God, the right to re-read you.
– W.H. Auden (1973)