Giovanni Baglione Appearance of the Angel to St Joseph ca. 1599 oil on canvas private collection |
Giovanni Baglione Ecstasy of St Francis 1601 oil on canvas Art Institute of Chicago |
Giovanni Baglione Ecstasy of St Francis 1601 oil on canvas Los Angeles County Museum of Art |
Giovanni Baglione Sacred Love and Profane Love ca. 1602 oil on canvas Gemäldegalerie, Berlin |
Giovanni Baglione Sacred Love and Profane Love ca. 1602 oil on canvas Palazzo Barberini, Rome |
"Baglione learned the fundamentals of his art from the Mannerist masters of the late Cinquecento; this remains undeniably evident even in his later works. From about 1600 onward he was decisively influenced by the example of Caravaggio, whose chiaroscuro and painting technique he attempted to imitate. The imitation is only superficial, however. Baglione sought to avoid the "ugliness" of Caravaggio and to disguise the naturalistic simplicity of his style by adding the proper requisites of a more noble manner. There is thus inherent in his art an element of contradiction . . . After Caravaggio's early departure from Rome, Baglione won for himself a freer field."
– Hermann Voss, from Baroque Painting in Rome (1925), revised and translated by Thomas Pelzel (San Francisco: Alan Wofsy, 1997)
Giovanni Baglione Assumption of St Catherine of Alexandria ca. 1603 oil on panel private collection |
Giovanni Baglione Resurrection (bozzetto for altarpiece in Chiesa del Gesù, Rome) ca. 1603 oil on canvas Musée du Louvre |
Giovanni Baglione Emperor Leo killed in his Mother's Presence for persecuting Image-Worshippers ca. 1610-12 drawing (for fresco) British Museum |
Giovanni Baglione Venus whipped by Love ca. 1600-1615 oil on canvas Fondazione Zeri, Rome |
Giovanni Baglione Justice and Charity Embracing 1622 oil on canvas Royal Collection, Great Britain |
Giovanni Baglione Madonna in Glory ca. 1630-38 oil on canvas Musei Capitolini, Rome |
Giovanni Baglione Scene of Martyrdom ca. 1600 drawing Philadelphia Museum of Art |
Giovanni Baglione Sheet of Figure-Studies before 1643 drawing Art Institute of Chicago |
attributed to Giovanni Baglione Académie before 1643 drawing British Museum |