Thursday, July 8, 2021

Antoine Coypel and Charles-Antoine Coypel (Paintings)

Antoine Coypel
The Moroccan Ambassador and his Retinue
at the Comédie italienne in Paris

1682
oil on canvas
Château de Versailles

Antoine Coypel
Flora and Zephyr (Allegory of Spring)
ca. 1684
oil on copper
private collection

Antoine Coypel
Flora and Zephyr (Allegory of Spring)
1699
oil on canvas
Musée du Louvre

Antoine Coypel
Leda and the Swan
ca. 1690
oil on canvas
National Trust, Brodie Castle, Moray, Scotland

Antoine Coypel
Baptism of Christ
ca. 1690
canvas
Los Angeles County Museum of Art

Antoine Coypel
Bacchus and Ariadne on the Isle of Naxos
ca. 1693
oil on canvas
Philadelphia Museum of Art

Antoine Coypel
Jupiter and Juno on Mount Ida
ca. 1700
oil on canvas
private collection

"[Antoine Coypel] was something of an infant prodigy, and at the age of eleven accompanied his father, Noël Coypel, as a student when the latter was appointed director of the French Academy in Rome.  After spending three years in Rome, where he was commended by Bernini, and one in the north of Italy, where he studied Correggio, the Bolognese, and the Venetians, he returned to Paris in 1676 and was received as a member of the Academy in 1681.  . . .  As regards the quality of his work, Antoine Coypel cannot rank high even among artists of his own generation, but his importance historically is considerable, partly as representing a taste which was at first in opposition to that of the King, but which eventually conquered even the Court.  . . .  Stylistically he is significant as having produced the two most completely Baroque decorations to be found in French art of this period."

Art and Architecture in France, 1500-1700, by Anthony Blunt, revised by Richard Beresford (Yale University Press, 1999)

Charles-Antoine Coypel
Perseus and Andromeda
1727
oil on canvas
Musée du Louvre

Charles-Antoine Coypel
Destruction of the Palace of Armida
(final act of Lully's opera of 1686)
1737
oil on canvas (tapestry cartoon)
Musée des Beaux-Arts de Nancy

Charles-Antoine Coypel
Destruction of the Palace of Armida (detail)
(final act of Lully's opera of 1686)
1737
oil on canvas (tapestry cartoon)
Musée des Beaux-Arts de Nancy

Charles-Antoine Coypel
Destruction of the Palace of Armida (detail)
(final act of Lully's opera of 1686)
1737
oil on canvas (tapestry cartoon)
Musée des Beaux-Arts de Nancy

Charles-Antoine Coypel
Painting awakening Sleeping Genius
ca. 1730-40
oil on canvas
private collection

Charles-Antoine Coypel
Athalie questions Joas
(scene from Racine's Athalie)
1741
oil on canvas
Musée des Beaux-Arts de Brest

Charles-Antoine Coypel
Atalide and Roxane
(scene from Racine's Bajazet)
1748
oil on canvas
Palais des Beaux-Arts de Lille

Charles-Antoine Coypel
Pierre Jélyotte en travesti as the Nymph Plataea
(in Rameau's opera Platée ou Junon jalouse)
ca. 1745
oil on canvas
Musée du Louvre

"Charles-Antoine Coypel had precocious success as a painter, as his father and teacher Antoine Coypel was the premier peintre du roi (First Painter to the King).  Upon his father's death in 1722, Charles inherited the elder Coypel's painting and design responsibilities at court, became the chief painter of the duc d'Orléans, and received lodgings at the Louvre.  He eventually became premier peintre himself in 1747, as well as director of the Académie Royale."

– biographical notes from the Getty Museum, Los Angeles