 |
| Wilhelm von Schadow Self Portrait 1805 drawing Graphische Sammlung Albertina, Vienna |
 |
| Wilhelm von Schadow Head of a Woman undated drawing Metropolitan Museum of Art, New York |
 |
| Johann Friedrich Overbeck Académie 1808 drawing Museum Kunstpalast, Düsseldorf |
 |
| Julius Schnorr von Carolsfeld Portrait of Henriette Schnorr von Carolsfeld 1817 drawing Graphische Sammlung Albertina, Vienna |
 |
| Julius Schnorr von Carolsfeld Portrait of the painter Johann Evangelist Scheffer von Leonhardshoff 1822 drawing private collection |
 |
| Franz Théobald Horny Italian Landscape before 1824 drawing Städel Museum, Frankfurt |
 |
| Franz Théobald Horny Self Portrait 1821 drawing private collection |
 |
| Johann David Passavant after Giovanni Cariani Pietà ca. 1820 drawing Metropolitan Museum of Art, New York |
 |
| Marie Ellenrieder Duchess Sophie von Baden and her Children 1834 drawing private collection |
 |
| Marie Ellenrieder Portrait of painter Robert von Langer 1820 drawing Staatliche Graphische Sammlung, Munich |
 |
| Marie Ellenrieder Portrait of a Young Woman undated drawing private collection |
 |
| Marie Ellenrieder Portrait of a Young Man undated drawing private collection |
 |
| Joseph von Führich God summons Noah and his Family into the Ark ca. 1827 drawing Metropolitan Museum of Art, New York |
 |
| Friedrich Olivier The Good Shepherd undated drawing Metropolitan Museum of Art, New York |
 |
| Friedrich Olivier Portrait of Julius Olivier, the Artist's Son 1846 drawing, with watercolor Metropolitan Museum of Art, New York |
"Certainly, the Nazarenes resubmitted art to the service of religion. But they were also dedicated Romantics faithful to the notion that art must convey the subjective experience of the self."
– Cordula Grewe, from Painting the Sacred in the Age of Romanticism (Ashgate, 2009)