 |
| Antoine Coypel Study for Bacchus 1686 drawing private collection |
 |
| Antoine Coypel Study for Bacchus ca. 1702 drawing Musée du Louvre |
 |
| Antoine Coypel Study for Hercules restrained by Amorino ca. 1709 drawing Musée du Louvre |
 |
| Antoine Coypel Study of a Woman, Half-length ca. 1700-1710 drawing Musée du Louvre |
 |
| Antoine Coypel Académie ca. 1690 drawing private collection |
 |
| Antoine Coypel Académie ca. 1700 drawing Musée du Louvre |
 |
| Antoine Coypel Study for Allegory of Vengeance ca. 1700-1710 drawing Musée du Louvre |
 |
| Antoine Coypel Studies for Uranus carrying the Veil of Night ca. 1688 drawing Musée du Louvre |
 |
| Antoine Coypel Study for Triton ca. 1702 drawing Musée du Louvre |
 |
| Antoine Coypel Study for Aeolus ca. 1700 drawing Musée du Louvre |
 |
| Antoine Coypel Study for Two Doctors of the Church before 1722 drawing Musée du Louvre |
 |
| Antoine Coypel Study of Draped Woman Kneeling ca. 1700-1710 drawing Musée du Louvre |
 |
| Antoine Coypel Study for Figure with Hammer and Chisel ca. 1702 drawing Musée du Louvre |
 |
| Antoine Coypel Study of Reclining Couple ca. 1716 drawing Musée du Louvre |
 |
| Antoine Coypel Self Portrait 1715 oil on canvas Château de Versailles |
"Antoine Coypel (1661-1722) was trained in Rome under his father, Noël (1628-1707), and in artistic centers such as Parma and Bologna. . . . Coypel's manner betrays a free and condensed use of Italian influences. . . . The French stamp on these theatrical compositions can perhaps best be detected in the meticulous arrangement of forms."
– French Art: the Ancien Régime, 1620-1775, by André Chastel, translated by Deke Dusinberre (New York: Flammarion, 1996)