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Albrecht Dürer Lily of the Valley and Bugle Flower ca. 1502-1507 watercolor and gouache on paper (study for oil painting) British Museum |
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Suzanne de Court Dido appealing to Juno as Aeneas departs (mirror back) ca. 1600 enamel on copper British Museum |
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Suzanne de Court Love Motto and Amorini (mirror back) ca. 1600 enamel on copper British Museum |
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Stefano della Bella Opera Costume for Nymph before 1664 ink and watercolor on paper British Museum |
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Stefano della Bella Opera Costume for Singing Fool before 1664 ink and watercolor on paper British Museum |
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Abraham van Diepenbeeck Angels crowning the Host before 1675 drawing British Museum |
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Noël Coypel Design for Thesis Dedication ca. 1678 oil on paper (grisaille) Staatliche Kunsthalle, Karlsruhe |
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Benigno Bossi after Ennemond-Alexandre Petitot Design for Vase with Embracing Merfolk 1764 etching Cooper Hewitt, Smithsonian Design Museum |
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Mary Delany Amaryllis Belladonna 1775 collage, watercolor and gouache on paper British Museum |
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Rudolf Eickemeyer Group of Girls under Paper Umbrella ca. 1895 platinum print National Museum of American History, Washington DC |
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Walter Crane Ex Libris - E. Alec Tweedie ca. 1896 drawing (design for bookplate) British Museum |
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Joe Duffy Duffy Design - Graphic Results ca. 1985 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
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Joe Duffy and Sara Ledgard Chaps - Ralph Lauren ca. 1987 screenprint Cooper Hewitt, Smithsonian Design Museum |
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Joe Duffy Communication Artists of New Mexico 1988 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
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Phillip Doggett-Williams The Capital 1987 lithograph National Gallery of Australia, Canberra |
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Seymour Chwast Design Talk 1995 screenprint (poster) Cooper Hewitt, Smithsonian Design Museum |
Sonnet
As when it happeneth that some lovely town
Unto a barbarous besieger falls,
Who there by sword and flame himself instals,
And, cruel, it in tears and blood doth drown;
Her beauty spoiled, her citizens made thralls,
His spite yet so cannot her all throw down,
But that some statue, arch, fane of renown
Yet lurks unmaimed within her weeping walls:
So, after all the spoil, disgrace, and wrack
That time, the world, and death could bring combined,
Amidst the mass of ruins they did make,
Safe and all scarless yet remains my mind:
From this so high transcending rapture springs,
That I, all else defaced, not envy kings.