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| attributed to Bernardino Luini Sheet of Studies with Figures in Lunettes before 1533 drawing British Museum |
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| Monogrammist I.Q.V. (Italian printmaker) Ornamental Frame around Coastal View (School of Fontainebleau) ca. 1543-44 etching British Museum |
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| Monogrammist I.Q.V. (Italian printmaker) Ornamental Frame around Seascape (School of Fontainebleau) ca. 1543-44 etching British Museum |
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| Monogrammist I.Q.V. (Italian printmaker) Ornamental Frame around Seascape in Roundel (School of Fontainebleau) ca. 1543-44 etching British Museum |
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| Melchior Lorck Tortoise above Fortified Town (illustration of motto for an emblem book) before 1588 drawing (print study) British Museum |
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| Maria van Oosterwyck Flowers and Grapes suspended from a Ring ca. 1670-90 oil on panel Art Gallery of New South Wales, Sydney |
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| Gilles-Marie Oppenord Design for Fountain ca. 1690-1700 drawing Cooper Hewitt, Smithsonian Design Museum |
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| Isaac de Moucheron Twin Fountains with Sphinxes before 1744 watercolor on paper British Museum |
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| Giuseppe Galli-Bibiena Fantastic Arcade with Figures before 1757 drawing Graphische Sammlung Albertina, Vienna |
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| Pietro Antonio Novelli Dancers ca. 1775 drawing (design for book illustration) British Museum |
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| Daniel Garber Orchard Hill 1910 oil on canvas Payne Gallery, Moravian University, Bethlehem, Pennsylvania |
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| George Laurence Nelson From the June Garden ca. 1930 oil on canvas New Britain Museum of American Art, Connecticut |
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| Elizabeth Olds Burlesque ca. 1935-40 lithograph Smithsonian American Art Museum, Washington DC |
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| Victor Joseph Gatto Tightrope Walker after 1938 oil on canvas, mounted on panel Smithsonian American Art Museum, Washington DC |
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| Justin O'Brien Still LIfe ca. 1956-59 oil on paper, mounted on panel Art Gallery of New South Wales, Sydney |
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| Richard Lowell Neas Bibliothèque 1989 screenprinted wallpaper Cooper Hewitt, Smithsonian Design Museum |
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| LeRoy Neiman Piazza San Marco 2001 screenprint Smithsonian American Art Museum, Washington DC |
from On the Morning of Christ's Nativity
So when the sun in bed,
Curtained with cloudy red,
Pillows his chin upon an orient wave,
The flocking shadows pale
Troop to th' infernal jail,
Each fettered ghost slips to his several grave,
And the yellow-skirted fays
Fly after the night-steeds, leaving their moon-loved maze.
But see, the Virgin blest
Hath laid her Babe to rest:
Time is our tedious song should here have ending,
Heaven's youngest teemed star,
Hath fixed her polished car,
Her sleeping Lord with handmaid lamp attending:
And all about the courtly stable
Bright-harnessed angels sit in order serviceable.
– John Milton (1629)

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