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| Monogrammist W.H. (German printmaker) Arms of the Cathedral Chapter of Eichstätt and of Prince-Bishop Wilhelm von Reichenau ca. 1484 engraving British Museum |
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| Monogrammist J.S. with the Shovel (German printmaker) Alexander the Great carried aloft by Griffins before 1537 woodcut British Museum |
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| Bartolomeo Neroni (il Riccio) Allegorical Figure ca. 1555 drawing (study for fresco) British Museum |
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| Isaac Oliver Sibyl ca. 1600 drawing British Museum |
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| Gilles-Marie Oppenord Study of Baroque Architectural Details ca. 1692-99 drawing Cooper Hewitt, Smithsonian Design Museum |
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| Crescenzio Onofri Landscape with a distant Village before 1698 drawing British Museum |
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| Isaac de Moucheron Two Women in a Garden 1741 watercolor on paper British Museum |
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| Gilles-Marie Oppenord Assembly of the Gods on Mount Olympus before 1742 drawing Graphische Sammlung Albertina, Vienna |
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| Jean-Marc Nattier Louis-Joseph-Xavier-François de France, duc de Bourgogne 1754 oil on canvas (detail) Château de Versailles |
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| John Hamilton Mortimer Sleeping Monsters ca. 1770-75 drawing British Museum |
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| Charles Nègre Statue at Chartres by Auguste Préault of Général François-Séverin Marceau ca. 1855 collodion print from salted paper negative National Museum of American History, Washington DC |
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| Adolphe Monticelli Fête at Herculaneum ca. 1870 oil on panel Portland Art Museum, Oregon |
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| Amédée Ozenfant Nacres ca. 1926 oil on canvas National Gallery of Australia, Canberra |
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| Elizabeth Olds Merry-Go-Round 1940 screenprint Smithsonian American Art Museum, Washington DC |
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| Olivia Parker The Chinese Bluebird 1980 dye imbibition print Art Institute of Chicago |
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| Gabriel Orozco Tortillas and Bricks 1990 C-print Hirshhorn Museum, Washington DC |
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| Simphiwe Ndzube Dondolo the Witch Doctor's Assistant 2020 mixed media on canvas Denver Art Museum |
from An Epitaph on the Marchioness of Winchester
This rich marble doth inter
The honoured wife of Winchester,
A viscount's daughter, an earl's heir,
Besides what her virtues fair
Added to her noble birth
More than she could own from earth,
Summers three times eight save one
She had told; alas too soon,
After so short a time of breath,
To house with darkness and with death.
*
So have I seen some tender slip
Saved with care from winter's nip,
The pride of her carnation train,
Plucked up by some unheedy swain,
Who only thought to crop the flower
New shot up from vernal shower;
But the fair blossom hangs the head
Sideways, as on a dying bed,
And those pearls of dew she wears
Prove to be presaging tears
Which the sad morn had let fall
On her hast'ning funeral.
– John Milton (1631)
-Arms-of-the-Cathedral-Chapter-of-Eichst%C3%A4tt-and-of-Prince-Bishop-Wilhelm-von-Reichenau-c1484-engraving-British-Museum.jpg)
-Alexander-the-Great-carried-aloft-by-Griffins-before-1537-woodcut-British-Museum.jpg)
-Allegorical-Figure-c1555-drawing-(study-for-fresco-in-Siena)-British-Museum.jpg)













