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| Filippo Juvarra Stage Design with Dome and Fountain before 1736 drawing British Museum |
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| Ferdinand Kobell Tomb under Willows 1782 etching British Museum |
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| Jean-Jacques Lagrenée Apollo crowning the Arts of Painting and Sculpture 1784 etching and aquatint British Museum |
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| Shunshō Katsukawa Actor Ichikawa Danzo IV in Shibaraku role before 1792 pigment and ink on paper Asian Art Museum, San Francisco |
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| Pierre-Louis de La Rive Mount Blanc at Sunset 1802 oil on canvas Musées d'Art et d'Histoire, Genève |
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| Louis Lafitte Atlas 1811 drawing (design for medallion) British Museum |
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| Louis Lafitte Atlas 1811 drawing (design for medallion) British Museum |
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| Eugène-Louis Lami Family on a Pleasure Boat ca. 1870 watercolor and gouache on paper British Museum |
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| Guillermo Kahlo (father of Frida) Iglesia La Enseñanza, Mexico City ca. 1907 gelatin silver print Art Institute of Chicago |
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| Guillermo Kahlo (father of Frida) Templo San Francisco Acatepec, near Puebla ca. 1907 gelatin silver print Art Institute of Chicago |
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| František Kupka Arabesques II ca. 1925-26 oil on canvas Guggenheim Museum, New York |
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| Lawrence Kupferman American Gothic 1937 drypoint Smithsonian American Art Museum, Washington DC |
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| E. McKnight Kauffer Organic Design in Home Furnishings 1941 screenprint (exhibition poster) Cooper Hewitt, Smithsonian Design Museum |
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| Jeannette Klute Beech Fern ca. 1950-60 dye transfer print Chrysler Museum of Art, Norfolk, Virginia |
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| Tibor Kalman Advertisement for fashion designer Isaac Mizrahi ca. 1991 offset-lithograph Cooper Hewitt, Smithsonian Design Museum |
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| Robert Kushner Zinnias 2000 screenprint Smithsonian American Art Museum, Washington DC |
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| Bruce Kittredge Peony Border, Bartlett Garden, Stamford, Connecticut 2007 35mm color slide Archives of American Gardens, Washington DC |
from An Hymn of the Fairest Fair
Sad queen of silence, I ne'er see thy face
To wax, or wane, or shine with a full grace,
But straight amazed on man I think, each day
His state who changeth, or, if he find stay,
It is in dreary anguish, cares, and pains,
And of his labours death is all the gains.
Immortal monarch, can so fond a thought
Lodge in my breast, as to trust thou first brought
Here in Earth's shady cloister wretched man,
To suck the air of woe, to spend life's span
'Midst sighs and plaints, a stranger unto mirth?
To give himself his death, rebuking birth?
By sense and wit of crëatures made king,
By sense and wit to live their underling?
– William Drummond of Hawthornden (1630)