Friday, October 31, 2025

Twentieth-Century Silhouettes

Haig Patigian
Isis
1907
bronze
Crocker Art Museum, Sacramento, California


Erich Heckel
Franzi Reclining
1910
color woodblock print
Art Institute of Chicago

Robert Henri
Portrait of Dorothy Wagstaff
1911
oil on canvas
Smithsonian American Art Museum, Washington DC

Paul Outerbridge
Suspension Bridge (Brooklyn Bridge)
1923
platinum print
National Museum of American History, Washington DC

Mies van der Rohe (designer)
Side Chair
1926-27
chrome-plated steel frame with replaced upholstery
Royal Ontario Museum, Toronto

Anton Hanak
Study for Self Portrait
ca. 1931-32
drawing
Graphische Sammlung Albertina, Vienna

Paul Manship and Angelo Colombo
Pelican
1932
gilt bronze on lapis lazuli base
Smithsonian American Art Museum, Washington DC

Dorothea Lange
Andrew Furuseth
1934
gelatin silver print
National Portrait Gallery, Washington DC

Helmut Newton
Fashion Shot with Model Smoking
ca. 1952
gelatin silver print
National Gallery of Australia, Canberra

Eduardo Paolozzi
Saint Sebastian no. 2
1957
bronze
Guggenheim Museum, New York

Mark Strizic
Lingerie Shop Window
Collins Street, Melbourne

ca. 1959
gelatin silver print
National Gallery of Australia, Canberra

Ken Regan
Mark Spitz
1972
gelatin silver print
National Museum of American History, Washington DC

Harold Tovish
Ceremonial Axe Head
1977
bronze
Smithsonian American Art Museum, Washington DC

Alex Katz
John Ashbery
1984
oil paint on shaped aluminum
National Portrait Gallery, Washington DC

Thomas Struth
Musée d'Orsay, Paris 2
1989
C-print
Los Angeles County Museum of Art

Brigitte Lacombe
Naomi Campbell
1991
C-print
(commissioned by Time magazine)
National Portrait Gallery, Washington DC

[The Favourite's Fall]
 
    Pow'r, ever envied, yet with ardour sought,
Has oft the proud to swift destruction brought;
Honours on honours heap'd to such a height,
The load immense has crush'd them with its weight;
Their statues from on high come thund'ring down,
And plunge thro' all the kennels of the town;
Wheels of triumphal cars to pieces fly,
And guiltless steeds with broken members lie.
Now the big bellows blow, the forges blaze,
The raging flames a roar tremendous raise;
Grim in the fire the precious noddle shews;
Off with a bounce the great Sejanus goes:
From that lov'd visage, godlike late esteem'd,
And second in the world's great empire deem'd,
Are fashion'd pots for water and for meat,
Platters for stews, and pans to wash the feet.

– Juvenal (AD 50-127), translated by Thomas Morris (1784)