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| Girolamo Romanino Altarpiece of the Nativity (from Chiesa di Sant'Alessandro, Brescia) ca. 1524 oil on panel National Gallery, London |
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| Girolamo Romanino Nativity Scene Altarpiece of the Nativity (from Chiesa di Sant'Alessandro, Brescia) ca. 1524 oil on panel National Gallery, London |
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| Girolamo Romanino St Guadiosus of Naples Altarpiece of the Nativity (from Chiesa di Sant'Alessandro, Brescia) ca. 1524 oil on panel National Gallery, London |
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| Girolamo Romanino St Alexander of Bergamo Altarpiece of the Nativity (from Chiesa di Sant'Alessandro, Brescia) ca. 1524 oil on panel National Gallery, London |
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| Girolamo Romanino St Filippo Benizzi Altarpiece of the Nativity (from Chiesa di Sant'Alessandro, Brescia) ca. 1524 oil on panel National Gallery, London |
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| Girolamo Romanino St Jerome Altarpiece of the Nativity (from Chiesa di Sant'Alessandro, Brescia) ca. 1524 oil on panel National Gallery, London |
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| Girolamo Romanino Christ carrying the Cross ca. 1542 oil on canvas private collection |
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| Girolamo Romanino Flagellation (two-sided processional banner) ca. 1540 distemper and oil on canvas Metropolitan Museum of Art, New York |
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| Girolamo Romanino Madonna of Mercy (two-sided processional banner) ca. 1540 distemper and oil on canvas Metropolitan Museum of Art, New York |
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| Girolamo Romanino Pietà 1510 oil on panel Gallerie dell'Accademia, Venice |
"The history of Cinquecento style in Brescia begins with Girolamo Romanino towards the end of the first decade. In 1510, a dated Pietà (Venice, Accademia) is in a style that equivocates between the Quattrocento and modernity, and more, important, between the Lombard mode that then dominated in Brescia and elements of style acquired from Venice. . . . What is in the Pietà requires that its artist should have known Venice at first hand, and not just the painting of Bellini but Giorgione's and perhaps the youthful Titian's. Painted in Brescia (for the church of S. Lorenzo), the Pietà was formed by a sequence of experiences that took Romanino from his native place to Venice and back again. . . . Romanino lived through the sixth decade, and in his latest years, probably in the main through the action of his son-in-law and collaborator, Lattanzio Gambara, he became susceptible to the influence of the Romanizing styles that by then were firmly established in Cremona and neighbouring Emilia."
– S.J. Freedberg from Painting in Italy - 1500 to 1600 in the Pelican History of Art series (London, 1971)
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| Girolamo Romanino St Justina of Padua enthroned, with Saints 1514 oil on panel Museo Eremitani, Padua |
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| Girolamo Romanino Presentation of the Christ Child in the Temple 1529 oil on panel Pinacoteca di Brera, Milan |
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| Girolamo Romanino Madonna and Child with St James the Greater and St Jerome ca. 1512 oil on panel High Museum of Art, Atlanta |
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| Girolamo Romanino Portrait of a Man ca. 1515-17 oil on panel Royal Collection, Great Britain |