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| Pierre Puvis de Chavannes Abundance 1895 lithograph Art Institute of Chicago |
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| Pierre Puvis de Chavannes Charity ca. 1889-93 oil on canvas Victoria & Albert Museum |
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| Pierre Puvis de Chavannes Despair 1864 drawing Harvard Art Museums |
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| Pierre Puvis de Chavannes Patriotism ca. 1893 oil on paper Ohara Museum of Art, Kurashiki, Japan |
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| Pierre Puvis de Chavannes Vigilance 1867 oil on canvas National Galleries of Scotland |
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| Pierre Puvis de Chavannes Meditation 1866 oil on canvas Musée d'Orsay, Paris |
"Certain people whom I no longer saw wrote to me and asked me "what I thought" of these two marriages, precisely as though they had been inviting a public discussion of the height of women's hats in the theatre or the psychological novel. I had not the heart to answer these letters. Of these two marriages, I thought nothing at all, but I did feel an immense melancholy, as when two parts of our past existence, which have been anchored near to us, and upon which we have perhaps been basing idly from day to day an unacknowledged hope, remove themselves finally, with a joyous crackling of flames, for unknown destinations, like two vessels on the high seas."
– Marcel Proust, from Albertine Disparue (1925), translated by C.K. Scott Moncrieff as The Sweet Cheat Gone (1930)
"Some people whom I hardly knew to speak to wrote to me and asked 'what I thought' of these two marriages, absolutely as if they were conducting an inquiry into the height of the hats which women wore to the theatre, or into the psychological novel. I was unable to face replying to these letters. Confronted with these two marriages, I did not think anything at all, but felt an immense sadness, as you do when two parts of your past existence, previously moored alongside you and in which perhaps from one day to the next you may have been harbouring some half-hearted, secret investment, leave for ever, with all flags proudly flying, like two ships sailing for foreign parts."
– Marcel Proust, from Albertine Disparue (1925), translated by Peter Collier as The Fugitive (2002)
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| Pierre Puvis de Chavannes Allegory 1848 oil on canvas Chrysler Museum of Art, Norfolk, Virginia |
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| Pierre Puvis de Chavannes Allegory of Life ca. 1873 oil on canvas Hermitage, Saint Petersburg |
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| Pierre Puvis de Chavannes Personification of the Rhone ca. 1883-86 pastel National Museum, Warsaw |
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| Pierre Puvis de Chavannes Personification of the Saone ca. 1883-86 pastel National Museum, Warsaw |
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| Pierre Puvis de Chavannes The Dream 1883 oil on canvas Musée d'Orsay, Paris |
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| Pierre Puvis de Chavannes The Poet 1896 oil on canvas National Gallery of Norway, Oslo |
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| Pierre Puvis de Chavannes Homer: Epic Poetry ca. 1895 oil on canvas Museum of Fine Arts, Boston |
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| Pierre Puvis de Chavannes Winter, or, Esau returning from the Hunt ca. 1854-55 drawing Morgan Library, New York |
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| Pierre Puvis de Chavannes Work ca. 1863 oil on canvas National Gallery of Art, Washington DC |