Wednesday, August 27, 2025

Belle Époque - III

Artur Nikodem
Lady with Hat
ca. 1910
drawing
Leopold Museum, Vienna

Edvard Munch
Recital
1903
lithograph
Prins Eugens Waldemarsudde, Stockholm

Joseph-Paul Meslé
Portrait of Mademoiselle Marie P.
1896
oil on canvas
Musée des Beaux-Arts de Reims

Constant Montald
Dancing Nymphs
1898
tempera and oil on canvas
Musée Fin de Siècle, Brussels

Peder Severin Krøyer
Portrait of Marie Krøyer
1890
oil on canvas
Hirschsprung Collection, Copenhagen

Karl Gussow
Portrait of a Young Woman
1881
oil on panel
Belvedere Museum, Vienna

Flagg & Plummer
Woman with Winged Dress
ca. 1900
collodion silver print
(cabinet card)
Amon Carter Museum, Fort Worth, Texas

Jan Toorop
Woman with Parasol
1888
oil on canvas
Musée d'Ixelles, Brussels

Alfred Stieglitz
Woman placing Garland on Herm
1895
platinum print
Museum Ludwig, Cologne

Thérèse Schwartze
Portrait of Marie Louise Treub
1912
oil on canvas
Museum De Lakenhal, Leiden

Hans Olde
Portrait of Adelheid von Schorn
1906
oil on canvas
Museumslandschaft Hessen Kassel

Félicien Rops
Flore
ca. 1890
watercolor on cardboard
Kröller-Müller Museum, Otterlo, Netherlands

Théo van Rysselberghe
Portrait of Margareta von Kühlmann-Stumm
1913
oil on canvas
Von der Heydt Museum, Wuppertal

Edward Penfield
Harper's - July
1896
lithograph (poster)
Kunstbibliothek, Staatliche Museen zu Berlin

Oskar Zwintscher
Woman seated among Flowers
1904
oil on canvas
Alte Nationalgalerie, Staatliche Museen zu Berlin

Anders Zorn
Night Effect
1895
oil on canvas (sketch)
Prins Eugens Waldemarsudde, Stockholm

The twenty-fourth book present Azoulis as narrator and then Dinias adding Azoulis's stories to the tales he has already told Cymbas.  We learn how Azoulis discovered the method of enchantment whereby Paapis had employed his magic to cause Dercyllis and Mantinias to come to life at night but during the day to be corpses, and how he freed them from the affliction when he found the secret of the punishment inflicted, and also the antidote to it, in Paapis's bag, which Mantinias and Dercyllis had brought with them.  He also discovered how Dercyllis and Mantinias should free their parents from the great curse to which they had fallen victim.  On the advice of Paapis, who led them to believe that they would be acting for their parents' good, they themselves had injured their parents grievously by causing them to lie like corpses for a long time. 

Then Dercyllis and Mantinias hurried home to revive and save their parents.  Dinias, along with Carmanes and Meniscus – for Azoulis had separated from them – extended their journey beyond Thule.  This is the journey in which he saw the wonders beyond Thule, according to the report he is now presented as making to Cymbas.  He says he saw things that enthusiasts of stargazing maintain, such as that it is possible for some people to live at the North Pole, and that a night there lasts a month, sometimes less, sometimes more, or six months, or in the extreme case twelve months, and not only is night drawn out to such an extent, but days correspond in duration to the nights.

– Antonius Diogenes, from The Wonders Beyond Thule, written in Greek, 1st-2nd century AD.  A detailed summary of the book was composed (also in Greek) in the 9th century by Photius, Patriarch of Constantinople.  The original text by Antonius Diogenes was subsequently lost; only the summary by Photius has survived.  This was translated into English by Gerald N. Sandy (1989).