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Boris Chaliapin Charles Munch 1949 tempera on board (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Henry Koerner Maria Callas 1956 oil on canvas (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Boris Chaliapin Renata Tebaldi 1958 tempera on board (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Henry Koerner Barbra Streisand 1964 oil on canvas (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Sidney Nolan Rudolf Nureyev 1965 acrylic on board (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Henry Koerner Rudolf Bing 1966 oil on canvas (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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J.H. Breslow James Taylor 1971 gouache and ink on board (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Eric Meola Beverly Sills 1971 dye transfer print (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Alan Pappe Liza Minnelli 1972 C-print (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Rick Smolan Sarah Caldwell 1975 C-print (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Don Weller Elton John 1975 drawing (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Peter Max Paul McCartney 1976 acrylic paint over photographic print (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Peter Max Paul McCartney 1976 acrylic paint over photographic print (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Douglas Kirkland John Travolta 1978 C-print (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Mick Haggerty David Bowie 1983 gouache on board (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Gordon Munro Shirley MacLaine 1984 C-print (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Andy Warhol Michael Jackson 1984 screenprint (commissioned by Time magazine) National Portrait Gallery, Washington DC |
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Francesco Scavullo Madonna 1985 C-print (commissioned by Time magazine) National Portrait Gallery, Washington DC |
from Of the Pythagorean Philosophy
Time was, when we were sow'd, and just began
From some few fruitful Drops, the promise of a Man;
Then Nature's Hand (fermented as it was)
From some few fruitful Drops, the promise of a Man;
Then Nature's Hand (fermented as it was)
Moulded to Shape the soft, coagulated Mass;
And when the little Man was fully form'd,
The breathless Embryo with a Spirit warm'd;
But when the Mothers Throws begin to come,
The creature, pent within the narrow Room,
Breaks his blind Prison, pushing ro repair
His stiffled Breath, and draw the living Air;
Cast on the Margin of the World he lies,
A helpless Babe, but by Instinct he cries.
He next essays to walk, but downward press'd
On four Feet imitates his Brother Beast:
On four Feet imitates his Brother Beast:
By slow degrees he gathers from the Ground
His Legs, and to the rowling Chair is bound;
Then walks alone; a Horseman now become
He rides a Stick, and travels round the Room:
In time he vaunts among his youthful Peers,
Strong-bon'd, and strung with Nerves, in pride of Years,
He runs with Mettle his first merry Stage,
Maintains the next abated of his Rage,
But manages his Strength, and spares his Age.
Heavy the third, and stiff, he sinks apace,
Heavy the third, and stiff, he sinks apace,
And tho' 'tis down-hill all, but creeps along the Race.
*
Thus to be born, is to begin to be
Some other Thing we were not formerly;
And what we call to Die, is not t'appear,
Or be the Thing that formerly we were.
Those very Elements which we partake,
Alive, when Dead some other Bodies make:
Translated grow, have Sense, or can Discourse,
But Death on deathless Substance has no force.
But Death on deathless Substance has no force.
– Ovid (43 BC-AD 17), translated by John Dryden (1700)