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| Louise Bourgeois Maquette for Facets of the Sun 1978 wood Smithsonian American Art Museum, Washington DC |
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| Giorgio de Chirico The Nostalgia of the Poet 1914 oil on canvas Peggy Guggenheim Collection, Venice |
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| Giorgio de Chirico Il Trovatore ca. 1924 oil on canvas Museum Boijmans Van Beuningen, Rotterdam |
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| Man Ray Sotheby's Sale from the Estate of Juliet Man Ray 2014 offset-lithograph (cover of auction announcement) Cooper Hewitt, Smithsonian Design Museum |
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| Man Ray Still Life ca. 1912-16 lithograph Hirshhorn Museum, Washington DC |
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| Man Ray Seguidilla 1919 gouache, colored pencil and graphite on board Hirshhorn Museum, Washington DC |
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| Man Ray Promenade 1967 (artist's replica of work created in 1916) mixed media on paper Hirshhorn Museum, Washington DC |
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| Man Ray Shakespearean Equation: Twelfth Night 1948 oil on canvas Hirshhorn Museum, Washington DC |
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| Man Ray Shakespearean Equation: King Lear 1948 oil on canvas Hirshhorn Museum, Washington DC |
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| Alexander Calder Portrait of Man Ray 1974 lithograph National Portrait Gallery, Washington DC |
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| Alexander Calder Violin ca. 1960 screenprint Smithsonian American Art Museum, Washington DC |
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| René Magritte Empire of Light 1953-54 oil on canvas Peggy Guggenheim Collection, Venice |
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| Joan Miró Landscape (The Hare) 1927 oil on canvas Guggenheim Museum, New York |
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| Joan Miró Two Figures and a Dragonfly 1936 gouache and watercolor on paper Guggenheim Museum, New York |
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| Joan Miró Seated Woman II 1939 oil on canvas Peggy Guggenheim Collection, Venice |
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| Joan Miró The Red Sun 1948 oil on canvas Phillips Collection, Washington DC |
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| Joan Miró Painting 1953 oil on canvas Guggenheim Museum, New York |
EPANAPHORA ("referring" or "repetition") – The repetition of the same word or group of words at the beginning of successive lines. This, originally a rhetorical figure, becomes, especially with some of the Elizabethans and with Tennyson, a not unimportant prosodic device; and, in the hands of the latter, assists powerfully in the construction of the verse-paragraph.
EPANORTHOSIS ("setting up again," with a sense also of "correction") – Also a rhetorical figure and meaning the repetition of some word, not necessarily at the beginning of clause or line. This also can be made of considerable prosodic effect; for repetition, especially if including some slight change, is necessarily associated with emphasis, and this emphasis colours and weights the line variously.
– George Saintsbury, from Historical Manual of English Prosody (1910)