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| Adolph Gottlieb Red on Brick (Balance) 1960 oil paint and gouache on paper Hirshhorn Museum, Washington DC |
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| Adolph Gottlieb Red Spread 1960 oil on canvas Hirshhorn Museum, Washington DC |
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| Adolph Gottlieb Two Discs 1963 oil on canvas Hirshhorn Museum, Washington DC |
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| Duncan Grant Vase of Flowers 1966 watercolor on paper Art Gallery of South Australia, Adelaide |
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| Cleve Gray Ceres I 1967 acrylic on canvas Smithsonian American Art Museum, Washington DC |
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| Frances Gray Study for Polychrome Relief Sculpture ca. 1968 lithograph Smithsonian American Art Museum, Washington DC |
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| Sidney Goodman Head of a Dying Man 1963 oil on linen Hirshhorn Museum, Washington DC |
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| Nancy Grossman Study for Andro (or) The Fall 1962 charcoal and conte crayon on paper Hirshhorn Museum, Washington DC |
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| Nancy Grossman Floating Nude 1962 charcoal on paper Hirshhorn Museum, Washington DC |
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| Nancy Grossman Nude 1962 pastel on paper Hirshhorn Museum, Washington DC |
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| Nancy Grossman Mother and Child 1962 pastel on paper Hirshhorn Museum, Washington DC |
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| Nancy Grossman Seated Woman 1962 pastel on paper Hirshhorn Museum, Washington DC |
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| Nancy Grossman Paper Collage #12 1963 inks and collage on board Hirshhorn Museum, Washington DC |
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| Nancy Grossman Paper Collage #13 1963 watercolor and collage on paper Hirshhorn Museum, Washington DC |
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| Nancy Grossman Paper Collage #15 1963 inks, varnish and collage on board Hirshhorn Museum, Washington DC |
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| Nancy Grossman Paper Collage #8 1963 inks and collage on board Hirshhorn Museum, Washington DC |
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| Nancy Grossman Paper Collage #1 1963 paper collage on paper Hirshhorn Museum, Washington DC |
VERSE PARAGRAPH – A very important development of blank verse, ensuring to it almost all the advantages of stanza in some ways, and more than all in others. First reached by Shakespeare in drama, and by Milton in non-dramatic verse, it consists in so knitting a batch of blank-verse lines together by variation of pause, alternate use of stop and enjambment, and close connection of sense, that neither eye nor voice is disposed to make serious halt till the close of the paragraph is reached. Thus an effect of concerted music is produced through the whole of it. No one has ever been a great master of blank verse without being a master of this device; but perhaps the most special and elaborate command of it has been Tennyson's.
– George Saintsbury, from Historical Manual of English Prosody (1910)