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Mathew Brady Minnie Warren (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Group Portrait (P.T. Barnum's "Human Curiosities" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Circassian Beauty (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Hannah Battersby (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Fat Baby (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Fat Lady (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Living Skeleton (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Fiji Island Cannibals (P.T. Barnum's "Human Curiosities" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Chang and Eng Bunker (P.T. Barnum's "Human Curiosities" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Annie Jones (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1870-75 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Bearded Lady (P.T. Barnum's "Human Curiosities" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Charles Tripp (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
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Mathew Brady Thin Man with Violin (P.T. Barnum's "Human Curiosity" in his American Museum, New York City) ca. 1860-70 albumen print from glass-plate negative National Portrait Gallery, Washington DC |
from Metamorphoses
When Jove behelde how all the worlde stoode lyke a plash of raine,
And of so many thousand men and women did remaine
But one of eche, howbeit those both just and both devout,
He brake the Cloudes, and did commaund that Boreas with his stout
And sturdie blasts should chase the floud, that Earth might see the skie
And Heaven the Earth: the Seas also began immediatly
Their raging furie for to cease. Their ruler laide awaye
His dreadfull Mace, and with his wordes their woodnesse did alaye.
He called Tryton to him straight his trumpetter, who stoode
In purple robe on shoulder cast, aloft upon the floode.
And bade him take his sounding Trumpe and out of hand to blow
Retreat, that all the streames might heare, and cease from thence to flow.
He tooke his Trumpet in his hand, hys Trumpet was a shell
Of some great Whelke or other fishe, in facion like a Bell
That gathered narrow to the mouth, and as it did descende,
Did ware more wide and writhen still, downe to the nether ende:
When that this Trumpe amid the Sea was set to Trytons mouth,
He blew so loude that all the streames both East, West, North and South,
Might easly heare him blow retreate, and all that heard the sounde
Immediatly began to ebbe and draw within their bounde.
Then gan the Sea to have a shore, and brookes to finde a banke,
And swelling streames of flowing flouds within hir chanels sanke.
Then hils did rise above the waves that had them overflow,
And as the waters did decrease the ground did seeme to grow.
And after long and tedious time the trees did shew their tops
All bare, save that upon the boughes the mud did hang in knops.
– Ovid (43 BC-AD 17), translated by Arthur Golding (1567)