 |
| André Kertész Underwater Swimmer - Esztergom, Hungary 1917 gelatin silver print Minneapolis Institute of Art |
 |
| André Kertész Circus, Budapest 1920 gelatin silver print Princeton University Art Museum |
-Raczkeva-1923-gelatin-silver-print-Princeton-University-Art-Museum.jpg) |
| André Kertész Trio - Raczkeva, Hungary 1923 gelatin silver print Princeton University Art Museum |
 |
| André Kertész Quai Bercy, Paris 1925 gelatin silver print Princeton University Art Museum |
 |
| André Kertész Paris 1925 gelatin silver print Whitney Museum of American Art, New York |
 |
| André Kertész Piet Mondrian, Paris 1926 gelatin silver print Minneapolis Institute of Art |
 |
| André Kertész The Fork 1928 gelatin silver print Carnegie Museum of Art, Pittsburgh |
 |
| André Kertész Meudon 1928 gelatin silver print Carnegie Museum of Art, Pittsburgh |
-1929-ORIG-gelatin-silver-print-National-Portrait-Gallery-Washington-DC.jpg) |
| André Kertész Alexander Calder 1929 gelatin silver print National Portrait Gallery, Washington DC |
-c1932-33-gelatin-silver-print-Art-Institute-of-Chicago.jpg) |
| André Kertész Untitled (Distortion #82) ca. 1932-33 gelatin silver print Art Institute of Chicago |
 |
| André Kertész Peggy Guggenheim 1945 gelatin silver print National Portrait Gallery, Washington DC |
 |
| André Kertész In the Cellar - Williamsburg, Virginia 1948 gelatin silver print Chrysler Museum of Art, Norfolk Virginia |
 |
| André Kertész Broken Bench 1962 gelatin silver print Princeton University Art Museum |
-1963-gelatin-silver-print-Minneapolis-Institute-of-Art.jpg) |
| André Kertész John Szarkowski, New York 1963 gelatin silver print Minneapolis Institute of Art |
 |
| André Kertész New York Heron 1969 gelatin silver print Princeton University Art Museum |
 |
| André Kertész Martinique 1972 gelatin silver print Minneapolis Institute of Art |
 |
| André Kertész Flowers for Elizabeth, New York 1978 gelatin silver print Princeton University Art Museum |
 |
| André Kertész Venus, New York 1978 gelatin silver print Princeton University Art Museum |
from Metamorphoses
[Story of Baucis and Philemon, continued]
Though often empty'd, were observ'd to fill;
Fill'd without Hands, and of their own accord
Ran without feet, and danc'd about the Board.
Devotion seiz'd the Pair, to see the Feast
With Wine, and of no common Grape, increas'd;
And up they held their Hands, and fell to Pray'r,
Excusing as they cou'd, their Country Fare.
One goose they had, ('twas all they cou'd allow)
A wakeful Cent'ry, and on Duty now,
Whom to the God for Sacrifice they vow:
Her, with malicious Zeal, the Couple view'd;
She ran for Life, and limping they pursu'd;
Full well the Fowl perceiv'd their bad intent,
And wou'd not make her Masters Compliment;
But persecuted, to the Pow'rs she flies,
And close between the Legs of Jove she lies:
He with a gracious Ear the Suppliant heard,
And sav'd her Life; then what he was declar'd,
And own'd the God. The Neighbourhood, said he,
Shall justly perish for impiety:
You stand alone exempted; but obey
With speed, and follow when we lead the way:
Leave these accurs'd; and to the Mountains Height
Ascend; nor once look backward in your Flight.
– Ovid (43 BC-AD 17), translated by John Dryden (1700)