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| Rineke Dijkstra Wall Street NY USA June 29 1993 1993 C-print Loeb Art Center, Vassar College, Poughkeepsie, New York |
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| Thomas Roma Shepherd leaning on Tree, Sicily 1986 gelatin silver print Museum of Modern Art, New York |
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| Andy Warhol Christ $9.98 ca. 1985-86 screenprint on canvas Scottish National Gallery of Modern Art, Edinburgh |
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| Stephen De Staebler Lavender Figure Column 1979 porcelain, stoneware, terracotta San Francisco Museum of Modern Art |
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| Charles Clough Paint Creature Seventeen 1978 enamel on paper Buffalo AKG Art Museum, New York |
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| Kaisik Wong Harvest 1976 gelatin silver print Fine Arts Museums of San Francisco (Achenbach Foundation) |
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| Philippe Halsman Marilyn Monroe 1952 gelatin silver print National Portrait Gallery, Washington DC |
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| Alexander Archipenko Striding Soldier 1917 painted plaster and wood Buffalo AKG Art Museum, New York |
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| Ambrose McEvoy Mrs Francis Howard ca. 1916-18 oil on canvas National Gallery of Art, Washington DC |
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| Anonymous Photographer Woman in Patriotic Costume ca. 1910 hand-colored gelatin silver print (postcard) National Gallery of Art, Washington DC |
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| Kees van Dongen Figure 1905 oil on canvas Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Pierre Parrocel Country Woman before 1739 etching British Museum |
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| Filippo Napoletano (Filippo Angeli) Soldier in Cloak (series, Capricci e Habiti Militari) before 1629 etching National Gallery of Art, Washington DC |
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| workshop of François Clouet Portrait of Charles IX, King of France ca. 1566 oil on panel Musée du Louvre |
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| Anonymous Germany Printmaker after Lucas Cranach the Elder Salvator Mundi 16th century hand-colored woodcut British Museum |
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| Agostino Zoppo Atlante ca. 1555-60 bronze statuette Musée du Louvre |
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| Anonymous French Sculptor Mourner ca. 1300-1330 marble statuette Ashmolean Museum, Oxford |
A conversation: the situated and private re-activation of a public, ongoing, long-preserved address. Reading, going on with this: it meant putting herself in the position of being spoken to. But also deciding, on her own terms, the pace of her engagement and, in her own way, from the position of her life and concerns, answering back.
– Kate Briggs, considering the novel Tom Jones, in The Long Form (2023)