Thursday, September 24, 2026

Rounds

Matthew Abbott
Tress
1994
acrylic on linen
Museum of Modern Art, New York


Judy Chicago
Georgia O'Keeffe Plate #1
1979
painted earthenware
San Francisco Museum of Modern Art

Sonia Delaunay
Untitled
ca. 1970
lithograph
Loeb Art Center, Vassar College, Poughkeepsie, New York

Jackson Pollock
Circle
ca. 1938-41
oil on board
Museum of Modern Art, New York

Giacomo Balla
Motivo con la parola Buon Appetito
1915
watercolor and graphite on paper
San Francisco Museum of Modern Art

Robert Delaunay
Simultaneous Contrasts - Sun and Moon
1913
oil on canvas
Museum of Modern Art, New York

Cipriano Cie
Portrait of a Woman
1900
oil on canvas
Palazzo Mansi, Lucca

Le chevalier de Châteaubourg
Miniature Portrait of a Woman
1796
watercolor on ivory
Ashmolean Museum, Oxford

Jan Brueghel the Elder
Fantasy View of Antique Temple and Bridge
ca. 1620
oil on canvas
Musée du Louvre

Anonymous Designer
Medallion to celebrate the Coronation of James I
1603
silver
Scottish National Portrait Gallery, Edinburgh

attributed to Francesco Durantino
Plate with Metabus saving Camilla
(scene from Virgil's Aeneid)
1559
maiolica
Musée du Louvre

Giuliano Bugiardini
Virgin and Child with young St John the Baptist
ca. 1523
oil on panel
Pinacoteca Nazionale di Bologna

Nicola Francioli
Plate with Helmeted Amazon
ca. 1520-30
maiolica
Musée du Louvre

Agnolo di Polo
Head of Young Man
(fragment from Adoration of the Magi scene)
ca. 1515-20
painted terracotta
Ashmolean Museum, Oxford

Giorgio Andreoli (Giorgio da Gubbio)
Plate with Tree and Arms
1519
maiolica
Morgan Library, New York

attributed to Raffaello Botticini
Adoration of the Magi
ca. 1495
tempera on panel
Art Institute of Chicago

Fra Angelico
The Crucifixion
ca. 1440-50
tempera on panel
Museo Nazionale di San Marco, Florence

from Requiescat

Her life was turning, turning,
        In mazes of heat and sound.
But for peace her soul was yearning,
        And now peace laps her round.

Her cabined, ample spirit
        It fluttered and failed for breath.
To-night it doth inherit
        The vasty halls of death.

– Matthew Arnold (1853)