Showing posts sorted by relevance for query sebastiano ricci. Sort by date Show all posts
Showing posts sorted by relevance for query sebastiano ricci. Sort by date Show all posts

Sunday, May 8, 2022

Sebastiano Ricci (1659-1734) - Late Baroque Vigor

Sebastiano Ricci
Allegory of Marcantonio Colonna's Victory at Lepanto
1693-95
ceiling fresco
Palazzo Colonna, Rome

Sebastiano Ricci
Allegory of Marcantonio Colonna's Victory at Lepanto (detail)
1693-95
ceiling fresco
Palazzo Colonna, Rome

Sebastiano Ricci
Allegory of Marcantonio Colonna's Victory at Lepanto (detail)
1693-95
ceiling fresco
Palazzo Colonna, Rome

Sebastiano Ricci
Allegory of Marcantonio Colonna's Victory at Lepanto (detail)
1693-95
ceiling fresco
Palazzo Colonna, Rome

Sebastiano Ricci
Allegory of Marcantonio Colonna's Victory at Lepanto (detail)
1693-95
ceiling fresco
Palazzo Colonna, Rome

Sebastiano Ricci
Eros and Anteros (detail)
ca. 1706-1707
oil on canvas, mounted on ceiling
Sala della Giovinezza al Bivio
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Youth at the Crossroads between Vice and Virtue (detail)
ca. 1706-1707
ceiling fresco
Sala della Giovinezza al Bivio
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Youth at the Crossroads between Vice and Virtue (detail)
ca. 1706-1707
ceiling fresco
Sala della Giovinezza al Bivio
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Youth at the Crossroads between Vice and Virtue (detail)
ca. 1706-1707
ceiling fresco
Sala della Giovinezza al Bivio
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Youth at the Crossroads between Vice and Virtue (detail)
ca. 1706-1707
ceiling fresco
Sala della Giovinezza al Bivio
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Hercules and the Centaur
ca. 1706-1707
fresco
Sala d'Ercole
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Hercules and the Centaur (detail)
ca. 1706-1707
fresco
Sala d'Ercole
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Cardinal Virtue
Fortitude
ca. 1706-1707
fresco
Sala d'Ercole
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Cardinal Virtue
Justice
ca. 1706-1707
fresco
Sala d'Ercole
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Cardinal Virtue
Prudence
ca. 1706-1707
fresco
Sala d'Ercole
Palazzo Marucelli Fenzi, Florence

Sebastiano Ricci
Cardinal Virtue
Temperance
ca. 1706-1707
fresco
Sala d'Ercole
Palazzo Marucelli Fenzi, Florence


Sebastiano Ricci
Mercury (detail)
ca. 1706-1707
fresco
Sala d'Ercole
Palazzo Marucelli Fenzi, Florence

"One of the principal figures in the revival of Venetian painting in the 1700s, Sebastiano Ricci's dramatic and sumptuous work appealed to ecclesiastical and royal patrons across Europe.  Ricci's painting was indebted both to Paolo Veronese and other Italian painters of the 1500s, and looked ahead to the next generation of Venetian artists, including Giambattista Tiepolo and Antonio Guardi.

Ricci began his training in Venice but, following a charge of attempted murder, he departed for Bologna in 1681.  Over the next fifteen years he was almost constantly on the move and is known to have worked in Parma, Rome, and Milan.  His brushes with the law persisted, but Ricci established his career as a decorative painter producing frescoes and paintings for churches and palaces.

Ricci finally returned to Venice in 1696 and received many commissions in the region.  He also accepted important commissions in Vienna and Florence, and in 1711 traveled to England with his nephew Marco, also an established painter.  The luminous, decorative works Ricci produced for the British aristocracy secured his international reputation.  In his later years, he increasingly collaborated with his nephew, creating works across Europe until shortly before his death in 1734." 

– from curator's notes at the Getty Museum, Los Angeles

Sunday, May 12, 2019

Sebastiano Ricci (1659-1734) - Rococo Drawings (I)

Sebastiano Ricci after Jean-Antoine Watteau
Studies of hand holding an apple
ca. 1716
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Girl holding a bowl (study for painting)
ca. 1724
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Old Man in Venetian Senatorial dress
ca. 1728
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Old Man in Venetian Senatorial dress
ca. 1728
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Diogenes before his tub (study for painting)
ca. 1695
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Diana and Callisto (study for fresco)
ca. 1707-1708
drawing
Royal Collection, Great Britain

Sebastiano Ricci after Jean-Antoine Watteau
Head of a Girl
1716
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Beheading of St John the Baptist (study for fresco)
ca. 1704
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Centaur holding a Lion Cub (study for painting)
ca. 1717-20
drawing
Royal Collection, Great Britain

"Sebastiano Ricci is the typical extrovert eighteenth-century virtuoso, and as such his brilliance may appear somewhat superficial.  Roberto Longhi talked about 'his paintings smacking of an able reportage of all European motives'.  But it needed precisely Ricci's easy and versatile talent to steer Venetian art back to a new understanding of the great past and forward towards the synthesis achieved in Tiepolo's heroic style."

– Rudolf Wittkower, Art and Architecture in Italy 1600-1750, originally published in 1958, revised by Joseph Connors and Jennifer Montagu and reissued by Yale University Press in 1999

Sebastiano Ricci
Head of a Dragon with fruit in mouth (study for painting)
ca. 1732
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Head of Christ (study for painting)
ca. 1724
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Head of a Woman
ca. 1700-1734
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Shepherds below a statue of Apollo
before 1734
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Studies for painting, The Drunken Silenus
ca. 1730-31
drawing
Royal Collection, Great Britain

Tuesday, August 9, 2016

Sebastiano Ricci and Venetian Taste

Sebastiano Ricci
Allegory of Marcantonio Colonna's Victory at Lepanto
1693-95
fresco
Palazzo Colonna, Rome

Venetian painter Sebastiano Ricci (1659-1734) helped shape the visual preferences of a new century. He pioneered the bright-toned chiarista taste, which the Tiepolos would expand and bring to dominance as the 18th century unfurled itself.  Several generations of luminous colorists reacted against the previously dominant 17th-century somberness of so-called tenebrosi like Luca Giordano (the remote heir of Caravaggio's palette).

Sebastiano Ricci
Neptune and Amphitrite
ca. 1691-94
oil on canvas
Museo Thyssen-Bornemisza, Madrid

Sebastiano Ricci
St Anthony of Padua healing a youth
ca. 1690
oil on canvas
Louvre

Sebastiano Ricci
Bacchus and Ariadne
ca. 1691 94
oil on canvas
Museo Thyssen-Bornemisza, Madrid

Sebastiano Ricci
Time Bearing Truth
1697-98
fresco
Palazzo Zane, Venice

Sebastiano Ricci
Battle of Romans and Sabines
ca. 1700
oil on canvas
Liechtenstein Museum, Vienna

Sebastiano Ricci
Abduction of Sabine Women
ca. 1700
oil on canvas
Liechtenstein Museum, Vienna

Sebastiano Ricci
Venus and Adonis
1705-06
oil on canvas
Musée des Beaux-Arts, Orléans

Sebastiano Ricci
Punishment of Amor by Anteros
1706-07
oil on canvas
Palazzo Marucelli-Fenzi, Florence

Sebastiano Ricci
Diana and Calisto
1712-15
oil on canvas
Gallerie dell'Accademia, Venice

Sebastiano Ricci
Nymphs and Satyrs
1712-15
oil on canvas
Louvre

Sebastiano Ricci
Venus and Satyr
1718-20
oil on canvas
Museum of Fine Arts, Budapest

Sebastiano Ricci
Bathsheba Bathing
ca. 1725
oil on canvas
Staatliche Museen, Berlin

Sebastiano Ricci
St Francis of Paola
1733
oil on canvas
Scuola Grande di San Rocco, Venice

Monday, May 13, 2019

Sebastiano Ricci (1659-1734) - Rococo Drawings (II)

Sebastiano Ricci
Putto (study for altarpiece)
ca. 1724-26
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Angel
ca. 1720-34
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Angels (study for painting)
ca. 1727
drawing
Royal Collection, Great Britain

Sebastiano Ricci
St Michael driving out Satan
ca. 1720
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Group of figures dancing
ca. 1730-34
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Goddess on cloud
ca. 1706
drawing
Royal Collection, Great Britain

"Sebastiano Ricci was born in the Veneto and is considered a member of the Venetian School, but before he settled permanently in Venice in 1717 he led a peripatetic life, working in numerous Italian cities and also in England, Flanders, France, and Germany.  His unsettled existence is a reflection not only of the demand for his talents but also of his penchant for illicit love affairs, which often led to his having to move in haste.  . . .  " 

– from the Oxford Dictionary of Art and Artists

Sebastiano Ricci
Reclining Woman
ca. 1700-1734
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Seated Woman
ca. 1720
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Woman and Child (study for painting)
ca. 1724
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Herod reproved by St John the Baptist
ca. 1720-34
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Soldier with dagger (study for painting)
ca. 1695
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Half-length figure (study for painting)
ca. 1724
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Half-length figure (study for painting)
ca. 1724
drawing
Royal Collection, Great Britain

Sebastiano Ricci
Foreshortened study of reclining figure
before 1734
drawing
Royal Collection, Great Britain