 |
| Bob Thompson Enchanted Rider 1961 oil on canvas Smithsonian American Art Museum, Washington DC |
 |
| Bob Thompson An Allegory 1964 oil on linen Whitney Museum of American Art, New York |
 |
| Bob Thompson Descent from the Cross 1963 oil on canvas Smithsonian American Art Museum, Washington DC |
 |
| Arnold Belkin In Resplendent Places 1968 lithograph Smithsonian American Art Museum, Washington DC |
 |
| Arnold Belkin Moses de Leon 1969 lithograph Smithsonian American Art Museum, Washington DC |
 |
| Gertrude Hermes Bees 1963 color linocut British Museum |
-Boris-Pasternak-I-Remember-1960-lithograph-(dust-jacket)-Cooper-Hewitt-Smithsonian-Design-Museum.jpg) |
| Elaine Lustig Cohen Boris Pasternak - I Remember 1960 lithograph (dust jacket) Cooper Hewitt, Smithsonian Design Museum |
-The-Hebrew-Bible-Jewish-Museum-New-York-1963-offset-lithograph-(exhibition-poster)-Cooper-Hewitt-Smithsonian-Design-Museum.jpg) |
| Elaine Lustig Cohen The Hebrew Bible, Jewish Museum, New York 1963 offset-lithograph (exhibition poster) Cooper Hewitt, Smithsonian Design Museum |
 |
| Jack Beal Still Life with Plant and Mirrors 1965 oil on canvas Whitney Museum of American Art, New York |
 |
| Galina Bitt Kinetische Zeichnung 1965 screenprint Hirshhorn Museum, Washington DC |
 |
| Cristóbal Balenciaga Hat 1964 dyed cockerel feathers mounted on rayon taffeta Museo Cristóbal Balenciaga, Getaria, Spain |
-Blue-c1967-lithograph-Fralin-Museum-of-Art-Charlottesville-Virginia.jpg) |
| William Turnbull Leaves, Blue ca. 1967 lithograph Fralin Museum of Art, Charlottesville, Virginia |
 |
| Bridget Riley Late Morning 1967-68 acrylic on canvas Tate Modern, London |
 |
| Ruth Gikow The Kitchen 1960 oil on canvas Smithsonian American Art Museum, Washington DC |
-L'Heure-Matinale-1967-lithograph-Queensland-Art-Gallery-Brisbane.jpg) |
| Corneille (Guillaume Cornelis van Beverloo) L'Heure Matinale 1967 lithograph Queensland Art Gallery, Brisbane |
 |
| Pablo Picasso Dans l'Atelier 1965 aquatint and drypoint Hirshhorn Museum, Washington DC |
 |
| David Plowden Delaware and Hudson Railroad Whitehall, New York 1965 gelatin silver print Art Institute of Chicago |
DRYDEN, JOHN (1630-1700) – The establisher and master of the stopped heroic couplet with variations of triplets and Alexandrines; the last great writer of dramatic blank verse, after he had given up the couplet for that use; master also of any other metre – the stopped heroic quatrain, lyrics of various forms, etc. – that he chose to try. A deliberate student of prosody, on which he had intended to leave a treatise, but did not.
COWPER, WILLIAM (1731-1800) – One of the first to protest, definitely and by name, against the "mechanic art" of Pope's couplet. He himself returned to Dryden for that metre; but practised very largely in blank verse, and wrote lyrics with great sweetness, a fairly varied command of metre, and, in "Boadicea," "The Castaway," and some of his hymns, no small intensity of tone and cry. His chief shortcoming, a preference of elision to substitution.
– George Saintsbury, from Historical Manual of English Prosody (1910)
-Kunstbibliothek-Staatliche-Museen-zu-Berlin.jpg)
-Gem%C3%A4ldegalerie-Alte-Meister-Dresden.jpg)
-for-Ballets-Russes-c1921-silk-and-cotton-National-Gallery-of-Australia-Canberra.jpg)
-c1912-silk-chiffon-National-Gallery-of-Australia-Canberra.jpg)
-19th-century-appliqu%C3%A9d-and-embroidered-cotton-Royal-Ontario-Museum-Toronto.jpg)
-with-design-by-John-Tunnard-1947-printed-silk-twill-National-Gallery-of-Victoria-Melbourne.jpg)
-19th-century-embroidered-silk-Asian-Art-Museum-San-Francisco.jpeg)
-c1988-92-wool-knit-Royal-Ontario-Museum-Toronto.jpg)
-with-airplanes-and-helmets-c1937-45-stencil-printed-cotton-with-silk-lining-Asian-Art-Museum-San-Francisco.jpeg)
-wool-felt-patches-lined-with-cotton-Ethnologisches-Museum-Berlin.jpg)
-National-Gallery-of-Victoria-Melbourne.jpg)