Monday, April 15, 2019

Anton von Maron (1733-1808) - Rome

Anton von Maron
Return of Orestes
1786
oil on canvas
Museum of Fine Arts, Houston

Anton von Maron
Portrait of William Constable and his sister Winifred
wearing antique costume (as Cato and Marcia)

1773
oil on canvas
Burton Constable Hall, Yorkshire

Anton von Maron
Self-portrait
1789
oil on canvas
Accademia di San Luca, Rome

"Born in Vienna in 1733 Anton von Maron was already in Rome about 1755 and was Anton Raphael Mengs's student and his assistant in the painting of the ceiling fresco in S. Eusebio.  He was highly prized by his teacher and rewarded with the hand in marriage of Mengs's talented sister, Teresa Concordia.  He was far less talented in the field of history or monumental painting, however, than in that of portraiture, which he practiced almost exclusively in his later years.  He received important commissions from the court in Vienna and was elevate to the nobility in 1772; he also enjoyed favor in the elegant social world of Rome and among the foreigners residing there.  From 1773 onwards, h e served as secretary and professor at the Accademia di San Luca.  He died in Rome in 1808."

– Hermann Voss, from Baroque Painting in Rome (1925), revised and translated by Thomas Pelzel (San Francisco: Alan Wofsy, 1997)

Anton von Maron
Portrait of brothers Franciszek and Kazimierz Rzewuski
1772
oil on canvas
Royal Castle, Warsaw

Anton von Maron
Portrait of Peter du Cane
1763
oil on canvas
Birmingham Museum and Art Gallery (West Midlands)

Anton von Maron
Portrait of Johann Joachim Winckelmann
1768
oil on canvas
Schlossmuseum, Weimar

"Signed and dated 1768, this is the best known of the portraits of the great archaeologist [directly above], although not the most successful.  It is remarkable how dissimilar the facial features are in the various portraits of Winckelmann by Mengs, Giovanni Casanova and Angelica Kauffmann.  Maron's portrait has the failing of allowing the learned scholar almost to disappear behind the bright cosmetic detail of his old-maidenly costume, whereas Mengs wisely understood how to limit himself to an actual speaking likeness."

– Hermann Voss, from Baroque Painting in Rome (1925), revised and translated by Thomas Pelzel (San Francisco: Alan Wofsy, 1997)

Anton von Maron
Portrait of Elisabeth Hervey, Countess of Bristol
ca. 1778-79
oil on canvas
Kunsthistorisches Museum, Vienna

Anton von Maron
Portrait of Archibald Menzies
1763
oil on canvas
Harvard Art Museums

Anton von Maron
Portrait of Joseph II, Holy Roman Emperor
1775
oil on canvas
Kunsthistorisches Museum, Vienna

Anton von Maron
Portrait of Anna Pieri Brignole-Sale 
ca. 1795-1805
oil on canvas
Musei di Strada Nuova, Genoa

Anton von Maron
Portrait of painter Christopher Unterberger
ca. 1775-90
oil on canvas
Accademia di San Luca, Rome

Anton von Maron
Portrait of sculptor Bartolomeo Cavaceppi 
ca. 1785-95
oil on canvas
Accademia di San Luca, Rome

Anton von Maron
Portrait of painter Thomas Jenkins
ca. 1775-90
oil on canvas
Accademia di San Luca, Rome

Anton von Maron
Portrait of sculptor Vincenzo Pacetti
ca. 1780-90
oil on canvas
Accademia di San Luca, Rome