Sunday, April 7, 2019

Francesco Solimena (1657-1747) - Naples - II

Francesco Solimena
Boreas abducting Oreithyia
1729
oil on canvas
National Art Museum of Azerbaijan

Francesco Solimena
Bozzetto for Venus with Iapis tending the wounded Achilles
ca. 1695
oil on canvas
Compton Verney, Warwickshire

Francesco Solimena
Bozzetto for Priam in the Tent of Achilles
ca. 1695
oil on canvas
Compton Verney, Warwickshire

Francesco Solimena
Bozzetto for Royal Hunt of Dido and Aeneas
ca. 1712
oil on canvas
Palazzo Buonaccorsi, Macerata

Francesco Solimena
Royal Hunt of Dido and Aeneas
ca. 1712
oil on canvas
Museum of Fine Arts, Houston

"It is a commonplace of criticism that Rococo neurotically banished darker tones and shadow, shadow which is the main vehicle of subjectivity in painters like Solimena, where the most conventional subjects become indeterminate through the heavy fringe of warm shadows which surrounds them.  This darkness draws one in and creates an effect like figure-ground reversal.  Investigating the shadows we sink into a reverie from which we may not get free."

– Robert Harbison, Reflections on Baroque (London: Reaktion Books, 2000)

Francesco Solimena
Diana and Endymion
ca. 1705-1710
oil on canvas
Walker Art Gallery, Liverpool

Francesco Solimena
Aeneas at the Court of Dido
ca. 1739-41
oil on canvas
Museo di Capodimonte, Naples

attributed to Francesco Solimena
Zeuxis painting the portrait of Venus modeled on the beautiful Maidens of Croton
before 1747
oil on canvas
Palazzo Lanfranchi, Matera

Francesco Solimena
Allegory of Rule
1690
oil on canvas
Hermitage, Saint Petersburg

attributed to Francesco Solimena
Rest on the Flight into Egypt
before 1747
oil on copper
Fitzwilliam Museum, Cambridge

attributed to Francesco Solimena
Raising of Lazarus
ca. 1690-1710
oil on canvas
Pinacoteca al Canopoleno, Sassari

Francesco Solimena
Ecce Homo
ca. 1680-1700
oil on canvas
National Museum, Warsaw

Francesco Solimena
Descent from the Cross
before 1747
oil on canvas
private collection

Francesco Solimena
Noli me tangere
before 1747
oil on canvas
Salford Museum and Art Gallery, Manchester