Saturday, April 27, 2019

Daniele Crespi (ca. 1598-1630) - Milan

Daniele Crespi
Baptism of Christ
ca. 1629-30
oil on canvas
Pinacoteca di Brera, Milan

Daniele Crespi
Road to Calvary
ca. 1620-30
oil on canvas
Pinacoteca di Brera, Milan

Daniele Crespi
St Charles Borromeo at Supper
ca. 1628
oil on canvas
Chiesa della Passione, Milan

"To the names of these artist should be added that of the younger Daniele Crespi (ca. 1598-1630), a prodigious worker who derived mainly from Cerano [Giovanni Battista Crespi] and Giulio Cesare Procaccini, but whose first recorded work shows him assisting Guglielmo Caccia, called Il Moncalvo (ca. 1565-1625), in the frescoes of the dome of S. Vittore at Milan. In his best works Daniele combined severe realism and parsimonious handling of pictorial means with a sincerity of expression fully in sympathy with the religious climate at Milan.  His famous St. Charles Borromeo at Supper [directly above] comes nearer to the spirit of the austere devotion of the saint than almost any other painting of the period and is, moreover, expressed without recourse to the customary religious and compositional props from which the three principal promoters of the early Milanese Seicento [Procaccini, Cerano, Morazzone] were never entirely able to detach themselves.  The question has been raised if Daniele was indebted to Zurbarán's contemporary work.  Whether or not the answer is in the affirmative, he certainly was impressed by Rubens and Van Dyck.  . . .  Daniele's career was prematurely interrupted by the plague of 1630.  This event, immortalized by Alessandro Manzoni [in the novel I Promessi Sposi], spelled to all intents and purposes the end of the first and greatest phase of Milanese Seicento painting." 

– Rudolf Wittkower, Art and Architecture in Italy 1600-1750, originally published in 1958, revised by Joseph Connors and Jennifer Montagu and reissued by Yale University Press in 1999

Daniele Crespi
Mocking of Christ
ca. 1624-25
oil on canvas
Los Angeles County Museum of Art

Daniele Crespi
Studies of Hands
ca. 1628-30
drawing
Metropolitan Museum of Art, New York

Daniele Crespi
Cain slaying Abel
before 1630
oil on canvas
private collection

Daniele Crespi
The Flagellation
ca. 1625
oil on panel
Museo del Prado, Madrid

Daniele Crespi
St Bruno and Count Roger of Calabria
before 1630
drawing
Morgan Library, New York

Daniele Crespi
Last Supper
ca. 1629-30
oil on canvas
Pinacoteca di Brera, Milan

Daniele Crespi
Marriage of the Virgin
before 1630
drawing
British Museum

Daniele Crespi
Adoration of the Magi
before 1630
drawing
National Gallery of Canada

Daniele Crespi
Pietà
1623-24
oil on canvas
Museo del Prado, Madrid

Daniele Crespi
Two Angels supporting an ornamental oval frame with God the Father above
before 1630
drawing
British Museum

Daniele Crespi
Portrait of a Sculptor
ca. 1625
oil on canvas
Pinacoteca di Brera, Milan