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| Georg Baselitz Untitled (Sex with Dumplings) 1963 watercolor on paper Art Institute of Chicago |
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| Georg Baselitz Untitled (Saxon Nose) 1963-64 watercolor, crayon and ink on paper Art Institute of Chicago |
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| Georg Baselitz Oberon 1963-64 etching Princeton University Art Museum |
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| Georg Baselitz Untitled (Saxon Landscape) 1964 gouache, watercolor, crayon and ink on paper Art Institute of Chicago |
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| Georg Baselitz Rebel 1965 oil on canvas Tate Modern, London |
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| Georg Baselitz Large Head 1966-67 woodcut Art Institute of Chicago |
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| Georg Baselitz Three Striped Cows 1967 acrylic on canvas Saint Louis Art Museum |
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| Georg Baselitz Male Nude 1975 oil on canvas North Carolina Museum of Art, Raleigh |
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| Georg Baselitz Seated Male Nude, Morocco 1976 oil on canvas Saint Louis Art Museum |
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| Georg Baselitz The Gleaner 1978 oil and tempera on canvas Guggenheim Museum, New York |
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| Georg Baselitz Untitled 1982 gouache, pastel, crayon and ink on paper Walker Art Center, Minneapolis |
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| Georg Baselitz Saint Michael 1983 oil on canvas National Gallery of Australia, Canberra |
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| Georg Baselitz Kopf 1984 woodcut Nelson-Atkins Museum of Art, Kansas City, Missouri |
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| Georg Baselitz Tränenkopf 1986 color etching and aquatint Milwaukee Art Museum |
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| Georg Baselitz La Sedia di Paolo 1988 watercolor and ink on paper Phillips Collection, Washington DC |
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| Georg Baselitz La Sedia di Paolo 1988 watercolor and ink on paper Phillips Collection, Washington DC |
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| Georg Baselitz La Sedia di Paolo 1988 watercolor and ink on paper Phillips Collection, Washington DC |
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| Georg Baselitz Aurora 2005-2006 hand-colored linocut National Gallery of Australia, Canberra |
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| Georg Baselitz Mondung 2009 oil on canvas Moderna Museet, Stockholm |
from The Broken Bowl
To say it once held daisies and bluebells
Ignores, if nothing else,
Its diehard brilliance where, crashed on the floor,
The wide bowl lies that seemed to cup the sun,
Its green leaves curled, its constant blaze undone,
Spilled all its glass integrity everywhere;
Spectrums, released, will speak
Of colder flowerings where cold crystal broke.
– James Merrill (1946)