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| Jean-Michel Basquiat Hollywood Africans 1983 acrylic and oil-stick on canvas Whitney Museum of American Art, New York |
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| Jean-Michel Basquiat LNAPRK 1982 acrylic paint, oil paint, oil-stick and marker on found paper, mounted on canvas Whitney Museum of American Art, New York |
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| Jean-Michel Basquiat Untitled (Plaid) 1982 oil-stick and ballpoint-pen on paper Whitney Museum of American Art, New York |
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| Jean-Michel Basquiat Untitled 1982 oil-stick and ballpoint-pen on paper Whitney Museum of American Art, New York |
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| Larry Zox Rita Barta 1969 acrylic on canvas Whitney Museum of American Art, New York |
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| Larry Zox Untitled 1970 screenprint Smithsonian American Art Museum, Washington DC |
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| Larry Zox Untitled 1968 screenprint Whitney Museum of American Art, New York |
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| Larry Zox Untitled 1968 screenprint Whitney Museum of American Art, New York |
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| Reinier Lucassen The Vampire's Kiss 1974-77 acrylic on canvas Kunstmuseum, The Hague |
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| Reinier Lucassen The Vampire's Kiss 1974-77 acrylic on canvas Museum Boijmans Van Beuningen, Rotterdam |
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| Reinier Lucassen The Guitar Lesson (after Balthus) 1973-74 acrylic on canvas Kunstmuseum, The Hague |
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| Reinier Lucassen Bridal Couple 1965 acrylic on canvas Kunstmuseum, The Hague |
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| George Luks Peggy Riordan 1924 oil on canvas Delaware Art Museum, Wilmington |
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| George Luks Rosie 1919 oil on canvas Whitney Museum of American Art, New York |
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| George Luks Mrs Gamley 1930 oil on canvas Whitney Museum of American Art, New York |
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| George Luks Woman and Turkey 1924 watercolor on paper Whitney Museum of American Art, New York |
from The Black Swan
Though the black swan's arched neck is like
A question-mark on the lake,
The swan outlaws all possible questioning:
A thing in itself, like love, like submarine
Disaster, or the first sound when we wake;
And the swan-song it sings
Is the huge silence of the swan.
– James Merrill (1946)